ホーム > hoge > 1030

hoge/1030 の変更点


* I'd like to send this parcel to  <a href=" http://www.mirsini.net/what-type-of-drug-is-prescription-drugs.pptx#treasury ">affordable healthcare act and prescription drugs</a>  The German poet Goethe stood only a fraction lower than Virgil and Shakespeare in Berlioz&rsquo;s literary pantheon. In 1827 he discovered Goethe&rsquo;s Faust Part 1 in French translation, and immediately became obsessed. &ldquo;I read it incessantly, at meals, at the theatre, in the street.&rdquo; As always with Berlioz, the blinding flash was followed by a long creative gestation. Seventeen years later, he completed La Damnation de Faust, a strange hybrid of opera and symphony. He invented a Hungarian setting for the opening scenes, just so he could slip in his recent orchestration of a well-known Hungarian march. This was one of the few popular hits he ever wrote. It has a huge, extrovert jauntiness, which owes as much to Berlioz&rsquo;s odd harmonic jumps (eg at 2.14 and 2.41) as to the massive, bright orchestration.
 

- ページ: [[hoge]]
- 投稿者: [[Josue]]
- 優先順位: 低
- 状態: 着手
- カテゴリー: 7249021907
- 投稿日: 2015-10-28 (水) 12:36:21
- バージョン: 8

** メッセージ
I'd like to send this parcel to  <a href=" http://www.mirsini.net/what-type-of-drug-is-prescription-drugs.pptx#treasury ">affordable healthcare act and prescription drugs</a>  The German poet Goethe stood only a fraction lower than Virgil and Shakespeare in Berlioz&rsquo;s literary pantheon. In 1827 he discovered Goethe&rsquo;s Faust Part 1 in French translation, and immediately became obsessed. &ldquo;I read it incessantly, at meals, at the theatre, in the street.&rdquo; As always with Berlioz, the blinding flash was followed by a long creative gestation. Seventeen years later, he completed La Damnation de Faust, a strange hybrid of opera and symphony. He invented a Hungarian setting for the opening scenes, just so he could slip in his recent orchestration of a well-known Hungarian march. This was one of the few popular hits he ever wrote. It has a huge, extrovert jauntiness, which owes as much to Berlioz&rsquo;s odd harmonic jumps (eg at 2.14 and 2.41) as to the massive, bright orchestration.
 
--------

#comment
IP:188.143.232.14 TIME:"2015-10-28 (水) 12:36:21" REFERER:"http://www.kazuwaya.jp/clubskin/?hoge" USER_AGENT:"Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)"

ページ新規作成

新しいページはこちらから投稿できます。

TOP