hoge/1030
更新日: 2015-10-28 (水) 12:36:21 (3103d)
I'd like to send this parcel to <a href=" http://www.mirsini.net/what-type-of-drug-is-prescription-drugs.pptx#treasury ">affordable healthcare act and prescription drugs</a> The German poet Goethe stood only a fraction lower than Virgil and Shakespeare in Berlioz’s literary pantheon. In 1827 he discovered Goethe’s Faust Part 1 in French translation, and immediately became obsessed. “I read it incessantly, at meals, at the theatre, in the street.” As always with Berlioz, the blinding flash was followed by a long creative gestation. Seventeen years later, he completed La Damnation de Faust, a strange hybrid of opera and symphony. He invented a Hungarian setting for the opening scenes, just so he could slip in his recent orchestration of a well-known Hungarian march. This was one of the few popular hits he ever wrote. It has a huge, extrovert jauntiness, which owes as much to Berlioz’s odd harmonic jumps (eg at 2.14 and 2.41) as to the massive, bright orchestration. 
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I'd like to send this parcel to <a href=" http://www.mirsini.net/what-type-of-drug-is-prescription-drugs.pptx#treasury ">affordable healthcare act and prescription drugs</a> The German poet Goethe stood only a fraction lower than Virgil and Shakespeare in Berlioz’s literary pantheon. In 1827 he discovered Goethe’s Faust Part 1 in French translation, and immediately became obsessed. “I read it incessantly, at meals, at the theatre, in the street.” As always with Berlioz, the blinding flash was followed by a long creative gestation. Seventeen years later, he completed La Damnation de Faust, a strange hybrid of opera and symphony. He invented a Hungarian setting for the opening scenes, just so he could slip in his recent orchestration of a well-known Hungarian march. This was one of the few popular hits he ever wrote. It has a huge, extrovert jauntiness, which owes as much to Berlioz’s odd harmonic jumps (eg at 2.14 and 2.41) as to the massive, bright orchestration.
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