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* I'm a trainee <a href=" http://www.autocab.com/uroprin.pptx ">uroprin s.c</a> The character of Marianne is meant to have been “a strong young political feminist”, with whom Williams clearly identifies, before marriage has ground her down into a “lovingly deferential” housewife. One of the film’s most painful scenes, preserved on stage, is her phone call to that friendly couple once she’s found out Johan is leaving her for a much younger mistress. She’s horrified to discover they’ve known about his affair all along. Williams gets goose bumps – and points to them – when I even mention this. And she’s very keen to argue that what was once a document of Swedish bourgeois domestic strife in the Seventies remains thoroughly relevant.
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- 投稿者: [[Layla]]
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- 投稿日: 2015-10-29 (木) 23:25:52
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I'm a trainee <a href=" http://www.autocab.com/uroprin.pptx ">uroprin s.c</a> The character of Marianne is meant to have been “a strong young political feminist”, with whom Williams clearly identifies, before marriage has ground her down into a “lovingly deferential” housewife. One of the film’s most painful scenes, preserved on stage, is her phone call to that friendly couple once she’s found out Johan is leaving her for a much younger mistress. She’s horrified to discover they’ve known about his affair all along. Williams gets goose bumps – and points to them – when I even mention this. And she’s very keen to argue that what was once a document of Swedish bourgeois domestic strife in the Seventies remains thoroughly relevant.
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